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The Resource A Bright Room Called Day

A Bright Room Called Day

Label
A Bright Room Called Day
Title
A Bright Room Called Day
Creator
Subject
Genre
Language
eng
Summary
From the Pulitzer Prize-winning author of Angels in America comes this powerful portrayal of individual dissolution and resolution in the face of political catastrophe. & ldquo;It & rsquo;s brash, audacious and ... intoxicatingly visionary. & rdquo; & mdash;Sid Smith, Chicago Tribune
Cataloging source
EBLCP
Dewey number
  • 813.54
  • 813/.54
Index
no index present
Literary form
non fiction
Nature of contents
dictionaries
Label
A Bright Room Called Day
Link
http://link.overdrive.com/?websiteID=257&titleID=934527
Instantiates
Publication
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Title Page; Copyright Page; History; Characters; Production Notes; A Brief Historical Note; PART ONE; Prologue: Evening Meal in a Windstorm; Scene One: Love Scene with Lemon; Scene Two: All Day in the Rain; First Interruption: The Small Voice (Letter to the President); Scene Three: Late Night Struggles on Towards Dawn; Scene Three A: Die Alte (The Old One); Scene Four: Cold and Brutal but Exact and True; Scene Five: Fingerspitzengefuhl (Fingertip Feeling); Scene Five A: It Takes Three Invitations; Scene Six: Demonology; Scene Seven: Scenes from the Life -- First Part
  • Scene Seven: Scenes from the Life -- Second PartScene Eight: Ich Habe Eine Neue Giftsuppe Gekocht (I Made a New Poison Soup); Second Interruption: The Politics of Paranoia; Scene Nine: Love Scene Without Lemon; Scene Ten: The Rent; Scene Eleven: Oranges; Scene Twelve: Furcht Und Elend (Fear and Misery); Third Interruption: German Lessons; Scene Thirteen: Welcome; PART TWO; Fourth Interruptoin: Memories of You; Scene Fourteen: Der Mensch Ist Nicht Gut -- Sondern Ein Vieh! (Man Isn't Good -- He's Disgusting!); FIfth Interruption: Night Bats; Scene Fifteen: Further Demonological Explorations
  • Scene Sixteen: Keep You Keep You I Am Gone Oh Keep You In My MemoryScene Seventeen: Hic Domus Dei Est Et Portae Coelis (This is the House of God, and These Are the Gates of Heaven); Sixth Interruption: From the Book; Scene Eighteen: Berliner Schnause (Berlin Lip); Seventh Interruption: Epitaph; Scene Nineteen: Der Wildgewordene Kleinburger (The Petit-Bourgeois Run Amok); Scene Twenty: An Acid Morning Light; Scene Twenty One: Love Scene Without. . .; Scene Twenty Two: Hands; Scene Twenty Three: Revelations and Farewells; Scene Twenty Four: All That Was Fat and Bright is Perished From You
  • Scene Twenty Five: The Green FrontEpilogue; APPENDIX: Zillah Iterruptions, New York Shakespeare Festival Version; AFTERWORD
Control code
ocn794327842
Dimensions
unknown
Extent
1 online resource (201 pages)
Form of item
online
Isbn
9781559366038
Media category
computer
Media MARC source
rdamedia.
Media type code
c
Specific material designation
remote
Stock number
AFEFA9C3-5964-415A-91A6-C8F45AAF39CB
System control number
(OCoLC)794327842
Label
A Bright Room Called Day
Link
http://link.overdrive.com/?websiteID=257&titleID=934527
Publication
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Title Page; Copyright Page; History; Characters; Production Notes; A Brief Historical Note; PART ONE; Prologue: Evening Meal in a Windstorm; Scene One: Love Scene with Lemon; Scene Two: All Day in the Rain; First Interruption: The Small Voice (Letter to the President); Scene Three: Late Night Struggles on Towards Dawn; Scene Three A: Die Alte (The Old One); Scene Four: Cold and Brutal but Exact and True; Scene Five: Fingerspitzengefuhl (Fingertip Feeling); Scene Five A: It Takes Three Invitations; Scene Six: Demonology; Scene Seven: Scenes from the Life -- First Part
  • Scene Seven: Scenes from the Life -- Second PartScene Eight: Ich Habe Eine Neue Giftsuppe Gekocht (I Made a New Poison Soup); Second Interruption: The Politics of Paranoia; Scene Nine: Love Scene Without Lemon; Scene Ten: The Rent; Scene Eleven: Oranges; Scene Twelve: Furcht Und Elend (Fear and Misery); Third Interruption: German Lessons; Scene Thirteen: Welcome; PART TWO; Fourth Interruptoin: Memories of You; Scene Fourteen: Der Mensch Ist Nicht Gut -- Sondern Ein Vieh! (Man Isn't Good -- He's Disgusting!); FIfth Interruption: Night Bats; Scene Fifteen: Further Demonological Explorations
  • Scene Sixteen: Keep You Keep You I Am Gone Oh Keep You In My MemoryScene Seventeen: Hic Domus Dei Est Et Portae Coelis (This is the House of God, and These Are the Gates of Heaven); Sixth Interruption: From the Book; Scene Eighteen: Berliner Schnause (Berlin Lip); Seventh Interruption: Epitaph; Scene Nineteen: Der Wildgewordene Kleinburger (The Petit-Bourgeois Run Amok); Scene Twenty: An Acid Morning Light; Scene Twenty One: Love Scene Without. . .; Scene Twenty Two: Hands; Scene Twenty Three: Revelations and Farewells; Scene Twenty Four: All That Was Fat and Bright is Perished From You
  • Scene Twenty Five: The Green FrontEpilogue; APPENDIX: Zillah Iterruptions, New York Shakespeare Festival Version; AFTERWORD
Control code
ocn794327842
Dimensions
unknown
Extent
1 online resource (201 pages)
Form of item
online
Isbn
9781559366038
Media category
computer
Media MARC source
rdamedia.
Media type code
c
Specific material designation
remote
Stock number
AFEFA9C3-5964-415A-91A6-C8F45AAF39CB
System control number
(OCoLC)794327842

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